Hearing about some of these little clues will certainly make Nocturnal Animals even more compelling on repeat viewings. A red velvet couch, for instance, is the location of something heartbreaking that happened between she and Edward, and also the location of something heartbreaking in his book. Here, the director talks about almost subliminal details that cross over from Susan's life to the fictional tale. The final segment, “The Filmmaker's Eye: Tom Ford,” is the most enlightening. Those two segments, which run about four minutes each, are brief but informative. “The Look of Nocturnal Animals” explores how cinematography and design choices help to distinguish Susan's world from the world depicted in Edward's story. Some of the stars also weigh in on the subject. He talks about weaving back and forth between them. There is a 3-part bonus feature entitled “The Making of Nocturnal Animals.” The first section, “Building the Story,” has writer/director Tom Ford eloquently discussing the manner in which the plot melds together a real-life half and a fictional half. Nocturnal Animals hits DVD and Blu-ray on February 21. This approach makes the film mesmerizing and completely entertaining. It sinks its teeth right into you, withholding the last piece of the puzzle until the final moment. Nocturnal Animals is a brilliant tale of people dealing with the repercussions of their choices, particularly when those choices have the consequence of hurting others. Watching these talented individuals – plus Shannon and Taylor-Johnson – operating at such a high level is a real pleasure. Ford surrounds their work with visual elegance that is always appealing to look at. His characters go through a lot of pain and rage, which the actor makes utterly believable. Gyllenhaal does outstanding work, too, playing both Edward and Tony, the fictional hero of the book. Amy Adams is fantastic as Susan, whose iciness masks deep vulnerability, as well as a painful awareness of her own flaws. The performances aid immeasurably on this count. All of it is staged in a vibrant way that increasingly draws you in. That does not mean the film is depressing, though. Some of it comes in the form of the fictional story, but just as much spawns from the relationship Susan and Edward had, which started off promisingly, only to cede to personal shortcomings. This is a movie that rattles around in your head for days after you see it, so unnerving is its depiction of emotional cruelty. Once you know the meaning behind it, the impact grows significantly. While you're watching Edward's story unfold, it's intense. Nocturnal Animals deals with the kind of hurt and pain that leaves lasting emotional scars. ![]() Once the pieces are all in place – something that happens in literally the last shot of the film – the impact is devastating. Ford expertly modulates those tones, helping us to see that the raw nature of Edward's book is there to knowingly provoke his ex-wife. This is intentional, because the story is fictional, designed to invoke a reaction from the reader, but more specifically from Susan. The characters of a Texas cop (Michael Shannon) and a lowlife criminal (Aaron Taylor-Johnson) feel just a tad over-the-top. At times, the events seem a little unlikely. The scenes set in Edward's story are starker, both visually and atmospherically. There is a coldness to them that reflects her unhappiness in life. They take place in very artistically designed homes and businesses. Scenes featuring Susan, in present or flashback, are sleekly photographed. Two different tones coexist within Nocturnal Animals. Via flashbacks, we find out more about her marriage to Edward, which brings into focus what his book is really about and, eventually, why he has mailed it to her. Susan seems to have a level of identification. ![]() It is a disturbing tale about a road rage incident that leads to a shocking act of revenge. Reading the novel, she imagines him in the main role. She receives an advance copy of a new book written by her ex-husband Edward (Jake Gyllenhaal). His film, based on the novel “Tony and Susan” by Austin Wright, is beautiful in the way you'd expect from someone with an expertise in fashion, but it's his grasp on complex human emotions that makes the movie so powerful.Īmy Adams plays Susan Morrow, an art gallery owner unhappily married to a career-focused businessman (Armie Hammer). Writer/director Tom Ford ( A Single Man) is a former fashion designer who famously saved Gucci from bankruptcy. Everything before that is a mystery, one that sucks you in and keeps you riveted as new connections are revealed. ![]() The really amazing thing about Nocturnal Animals is that you don't know precisely where it's going until the very last scene.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |